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[folk-rock, post-rock] (2018) Tomorrow We Sail - The Shadows [FLAC,Tracks] {100.XY}

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(2018) Tomorrow We Sail - The Shadows


Review:
It’s been three years since Leeds’ orchestral-leaning
ensemble Tomorrow We Sail released their debut album For Those Who Caught the Sun in Flight, a striking and rather
ambitious release that pushed the 80-minute mark, feeling a little bloated, whilst often struggling to get out of first
gear. 
At less than half that length, their sophomore album The Shadows has maintained the band’s yearning
eclecticism whilst trimming the excesses, to produce a much improved full-length that mines ambient and ethereal
soundscapes with impeccable grandeur. 
Solemnity is the order of the day from the off as ‘Side By
Side’ showcases emotionally wrenching chords, as a beautiful viola, minor key piano and understated percussion
leads the way.
88 MB  320 ** FLAC
Tim Hay’s vocals appear, like Gorky’s Zygotic Mynci dabbling
in their Barafundle phase, rural and medieval, with a hint of prog, especially in the clarity and expressiveness of the
words. The lyrics are reassuring “green trumps the grey, that’s where we’ll rest and feel
safe”, with the whole band joining in when the instrumentation retreats, very much like A Silver Mt Zion, with
just atmospheric keys and echoed guitar for company before the heavy and forceful chords reappear. A triumphant track
than nods to Gregor Samsa and knocks on the door of Yndi Halda, but with more of a rustic, English feel, and one of the
strongest openers to an album I’ve heard in a very long time.
‘Home Fires’ is more laid-back,
though not exactly restful, as a Rhodes piano leads the way and Ella Blake takes the vocal lead, with a classic Folk
feel of Sandy Denny meets a restrained Kate Bush. Feeling akin to a slowed-down Mogwai, but with added introspection and
a more natural construction, it is a enchanting track, that offers a different angle, even if it doesn’t quite
build on the momentum of the glorious opener.
The title track instantly shares DNA with fellow Leeds’
natives ILikeTrains in atmosphere and cohesiveness. The oceans of delay on guitars and the combination of the drums and
glockenspiel hints at Sigur Ros, as Ella’s vocal appears, more delicate than previous, with the whole ensemble
nodding towards a stripped-down Chasms. A lovely descending chord pattern is cemented at the heart of the song,
resulting in a hypnotic track that buries deep into your senses.
The sanguine ‘Winifred’ is a
unhurried track as Tim and Ella combine on vocals backed simply by a sombre piano at the pace and tone of a ticking
grandfather clock. A nice stopgap that whilst won’t break down barriers shows how minimalism can be just as
important as full-on instrumentation.
An eerie and ominous atmosphere greets ‘The Ghost of John Maynard
Keynes’ as droning and creaking background noises and atonal melodies demand the listener’s attention.
Tim’s bellowing vocal appears, not a million miles from Jamie Sutherland from Broken Records, before jolting
chords and heavy percussion enter the fray. Lyrics such as “the scapegoat changes but the story stays the
same” are fairly politically charged, which is perhaps unsurprising given the song’s title.
‘To
Sleep’ is more tender, with a sampled decayed vocal haunting the track at irregular moments and nice buried
guitar notes for company, allowing Ella’s vocal to flourish, with just a piano as the main support. Angela
Chan’s viola adds further depth as Ella’s vocals feel more heartfelt than anywhere else on the track,
producing an emotional track that remains uplifting throughout
Droning strings are joined by keys on closing number
‘The Golden Elevator’, which along with the album opener is the highlight of the record. Melancholic as
always but with a more natural feel, Tim’s vocals are less forced and benefit the track immensely, especially
when they almost break into a higher range, and are even stronger when complemented by Ella’s exquisite backing.
The song builds up patiently, without drifting into predictable crescendo, with nice regular changes of tempo and
direction throughout. Only at the very end is the full instrumentation unleashed and that is a temporary moment that
doesn’t drown or dominate the track.
Building on their promising beginnings Tomorrow We Sail have refined
their approach and have more than surpassed themselves in producing an achingly beautiful record full of bewitching
melodies. The perfect accompaniment to cold, darkened evenings, as the light descends below the horizon.






Tracklist:
01 - Side By Side.flac
02 - Home
Fires.flac
03 - The Shadows.flac
04 - Winifred.flac
05 - The Ghost of John Maynard Keynes.flac
06 -
To Sleep.flac
07 - The Golden Elevator.flac


Summary:
Country: UK
Genre: folk-rock, post-rock


Media Report:
Source                           : CD
Format                           : FLAC
Format/Info                   
  : Free Lossless Audio Codec, 16-bit PCM
Bit rate mode                    : Variable
Bit rate                
        : ~ 757-833 Kbps
Channel(s)                       : 2 channels
Sampling rate                    : 44.1
KHz
Bit depth                        : 16 bits

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